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BASS TROMBONE CONCERTO No.1 Op.84

BASS TROMBONE CONCERTO No.1 Op.84

 
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Printed Edition
Composer:Morello, Nicola
Instrumentation:tbn/B. stgorch.
Publisher Ref:FM1129
The structure of this concerto resembles the Beethovenian dramatic overture form, with a slow introduction, quasi cadenza, that presents the first theme. A transition leads to the second theme of almost jazzy stye with a little bit of swing. A traditional development flows into the literal recapitulation, more powerful and martial. Again the second jazz theme and finally a long and virtuoso coda that resumes the first theme in a solemn and joyful way, sparing nothing of the trombonist in terms of tightness and difficulty, up to the final scale that concludes, with powerful chords in the orchestra, this Concerto.

Price: £50.00
Qty
Skill Level:D/E
Publisher:Forton Music
ISMN:M570790289
ISBN:none specified
The Composer writes:
After composing the Fantasia for bass trombone and piano, the dedicatee, Stefano Belotti, asked me to compose a piece for the same instrument but with accompaniment of string orchestra. A new composition of wider scope. For a long time I tried to imagine a new composition for bass trombone, but having played the Fantasia over and over again in concert and having listened to it performed by many trombonists, it was as if I had been emptied of any new idea for that instrument. So for a year I stopped thinking about it, until one December evening I had an idea. I started to compose immediately, and in a couple of days I finished this Concerto for bass trombone and string orchestra, which premiered in August 2019. It is part of a series of concerti dedicated to the Quartetto di Brescia, a trombone quartet. Each concerto is dedicated to a particular instrument: bass trombone, tenor trombone, alto trombone and euphonium. The structure of this concerto resembles the Beethovenian dramatic overture form, with a slow introduction, quasi cadenza, that presents the first theme. After the first section, there follows a transition that is actually a more agitated version of the first theme, which leads to the second theme of almost jazzy stye with a little bit of swing. The development follows in a traditional way, almost recalling Soviet music, and then flows into the literal recapitulation, more powerful and martial. Again the second jazz theme and finally a long and virtuoso coda that resumes the first theme in a solemn and joyful way, sparing nothing of the trombonist in terms of tightness and difficulty, up to the final scale that concludes, with powerful chords in the orchestra, this Concerto.

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