HALL OF MIRRORS

In the work Hall of Mirrors for clarinet and piano, the main idea consists of sequences of pairs of notes in the piano part, inspired by the phenomena of reflection and vanishing. They may bring to mind a fading echo or the electronic effect of delay. The mood and narrative of this work are forged partly by the clarinet, which sometimes dominates the piano melodically and at other times discreetly enhances its sound by means of delicate tremolandos. The timbres of piano and clarinet complement one another in a musical game of light and dark.

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