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JAZZ COLOURS for Alto Saxophone

JAZZ COLOURS for Alto Saxophone

 
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Digital Download
Composer:Stokes, Russell
Instrumentation:sax/A. pft.
Publisher Ref:e-C1015
Welcome to Jazz Colours - an established series of pieces for flute and piano written in jazz/popular styles. An optional 2nd flute part has been included for those who enjoy performing duets. Jazz Colours will appeal to students of all ages who want to extend their repertoire of styles and will encourage the development of rhythmic technique in a popular setting. This volume contains pieces which range in difficulty from about Grade 3 to Grade 6.
Price: £10.95
Qty
Skill Level:B-D
Publisher:Clifton Edition
Year of Issue:2026
ISMN:M570810154
ISBN:none specified
Welcome to Jazz Colours - an established series of pieces for alto saxophone and piano written in jazz/popular styles. An optional 2nd saxophone part has been included for those who enjoy performing duets.

Jazz Colours will appeal to students of all ages who want to extend their repertoire of styles and will encourage the development of rhythmic technique in a popular setting. This volume contains pieces which range in difficulty from about Grade 3 to Grade 6.

Please note, the quavers in these pieces should be played straight and not swung.

To the saxophonist(s):
lf you are new to playing jazz or popular music, then you will need to be very careful with the rhythms. There are many places where you will be playing off the beat, so try counting in quavers (slowly at first) to work out the syncopations. Once you are happy with the counting, try not to let the rhythms become too strict and rigid: instead let the music flow and swing.

lf you are playing the duet versions, attempt to learn both parts so that you can take it in turns to play the first clarinet. part. Remember always to listen to each other so that the ensemble between you is tight. One last thing: enjoy the music!

To the pianist:
lf you are an inexperienced player, you may find that some of the accompaniments are quite difficult. lf so, try simplifying them by leaving out some of the notes in larger chords. However, always make sure you get the rhythms right so that you can support the soloist(s) correctly. Please use the sustain pedal where you feel it is appropriate, but try not to blur the changing harmonies.
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