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THE SORCERER'S APPRENTICE (score & parts)

THE SORCERER'S APPRENTICE (score & parts)

 
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Printed Edition
Composer:Dukas, Paul
Instrumentation:5bn. (bn) cbn. (minibn/G) (minibn/F)
Publisher Ref:PPBC2
Dukas’s The Sorcerer’s Apprentice in a 5 minute arrangement which tells the whole magical story. As commissioned by Laurence Perkins and Anthea Wood for the 'Spooky Bassoons' event on 31 October 2018. Bassoon 5 is easy. Bassoon 6 is easier still and is optional: tranposed parts of this part are also provided for F and G mini bassoons.
Price: £46.00
Qty
Arranger:Portus, Lisa
Skill Level:C/D
Duration:5'00
Publisher:Portus Press
Year of Issue:2018
ISMN:M708141846
ISBN:none specified
As commissioned by Laurence Perkins and Anthea Wood for the Spooky Bassoons event on 31 October 2018.

The French composer and respected music critic Paul Dukas (1865-1935) was also immensely self-critical – to the point that he destroyed many of his manuscripts. Today just 15 of his works survive, but it is fair to say that his fame rests entirely with a single orchestral work: the symphonic poem The Sorcerer’s Apprentice (L’apprenti sorcier) (1897). It was well known even before its notable use in the Walt Disney 1940 animated film Fantasia , in which Mickey Mouse assumes the role of the apprentice.

Dukas’s work is based on a poem by Goethe and closely follows its storyline:

An old wizard leaves his apprentice to clean up his workshop. Tired of fetching and carrying pails of water, the lazy apprentice uses the wizard’s magic to enchant a broom to do it for him. However, he soon loses control and the floor becomes flooded. In a desperate attempt to stop the broom the apprentice uses an axe to split the broom in half. For a short while that works, but soon the two pieces revive and continue their work at twice the speed. Eventually the wizard returns and breaks the spell, with the reminder that it is only him that can command the spirits.

This version tells the whole magical story: At five minutes long this is not just the original bassoon/contra solo sections as it also incorporates elements of the opening and closing sections, bringing the whole story to life. This makes this piece particularly suitable for performances to children/education purposes – especially around Halloween. Of course, it’s really good fun too!!

Six bassoon parts plus contra. Bassoon 5 is easy, Bassoon 6 is easier still (and optional) and has also been transposed to play on mini bassoons in F & G

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